October 14, 2010
Twitter and the challenges it poses to news corporations

Before social media, there was the Internet. It was simple – there were no barriers to entry as to having your voice heard, and that saw the rise of citizen journalism. People also increasingly sought the Internet as a new source of news, since they could gain access to real-time information on the go. It was unlike before, whereby you had to wait till morning for the papers to be delivered – now turning on your computer easily brings you real time news there and then.

The way news corporations were to function had to be altered and modified, but they found no problems adapting. They recognized the threat of citizen journalism, but they also understood how the web worked. On the Internet, there is a large amount of information competing for visibility. CNN.com then started its Citizen Journalist site, where citizens were able to send in and share their photos and stories. It was a win-win situation for both – citizen journalists got to have their stories heard and seen, with CNN continuing to establish itself as the ultimate source of news. They also function actively on their websites, running breaking news stories and updating it every minute of the day.

Then came social media. Twitter, for one, functioned as a personal news feed to people. People started to get news from the people they followed – their friends, family, and colleagues. And news corporations had barely any control over how information was so easily distributed and shared from any source. People’s followers tended to be their peers, and thus lived near them and shared similar lifestyles. Naturally, this resulted in them receiving the kind of news which offered a kind of currency – to the point of customization – which news corporations had difficulties matching up to. Even though news corporations reacted by establishing their presence on twitter, they would merely be one of the many sources of news an individual was exposed to on their Twitter timelines.

Next, Twitter’s unique “retweet” function allowed news to get viral. It could be an innocent tweet by someone who happened to witness a car accident and snapped a photo. Her followers, who then saw the photo, started to retweet her tweet and news about this incident would spread rapidly. This poses a threat to news corporations like CNN, who brand themselves as a news channel which works around the clock to provide the latest news, and is the source of “breaking news”. Now, with any random tweet being able to present a “breaking news” story, CNN has to step up on their vigilance to capture potential information that may end up as a piece of breaking news. And the biggest problem – CNN has to balance between being able to present the latest news and protect their reputation of credibility at the same time. How can CNN beat Twitter users, located all around the world, to not just breaking news, but credible ones?

Finally, tweets are free to represent a diversity of opinions, which news corporations are not able to at times. As mentioned in class, news corporations face dilemmas such as having to please their audiences and their sponsors. The problem of self censorship also occurs, especially when they operate in countries with strict media regulations. Operating as a commercial entity, they are sometimes restricted from presenting news objectively or even diverse opinions, whereas the tweets going around on twitter are not.

My stand is that social media is the manifestation of the Internet at its most powerful point. It represents power to the people, and power to (previously) fragmented mediums. This is so as nformation gets viral and messages can also be disseminated quickly. News corporations, on the other hand, are threatened from their position as the source of breaking news. While attempting to keep their position, have to ensure their credibility – which is definitely not an easy task.

October 14, 2010
Can social media level the playing field for films?


Indie films these days are making head way with social media. Indie films, which often go deeper down in the long tail, are less frequently picked up by major producers and distributors due to their tendency to avoid the risks. Without the backing of these producers and distributors, these films usually get only a small audience, or at worst, do not even get made.

However, with social media, more and more films down the long tail are gathering audiences’ attention and meeting with increasing success. “Paranormal Activity” is a horror film made with a budget of $15000 – and grossed $80million in box offices. The reason? A well executed social media campaign which used twitter and facebook to go viral.

Other independent movies such as Batman: Dead End and The Hunt for Gollum also used social media, such as the director’s blog and twitter to get the word around. These are movies deeper down the long tail which found their niche audiences thanks to social media tools.

Hollywood blockbusters, on the other hand, are suffering from the power of social media. Why is the measure of a blockbuster film’s success typically based on its sales during the opening weekend, and not the entire length of time whereby it was screened?

A possible reason I can think of is because words about the film start to get around their first screenings, and on social media, news can get viral. People are making decisions whether to watch a movie based on the reviews on the peers’ twitter, blog and Facebook posts. For example, Wall Street: Money Never Sleeps is number 1 at US box office this weekend, grossing an impressive sum of $19,011,188 (that’s more than what Inception grossed!) but the critics gave it a B- rating. My guess is that sales will slow down as word of mouth about the movie gets around. Personally, I have been told by a friend that the movie is not worth my 8 bucks and I should just wait to stream it online.

Studios are spending 90% of their advertising dollars to maximizing profit during the opening weekend. While these marketing strategies are effective in the short-run – pre-planned release dates, scheduled showtimes, a-list casts, and bombarding the theatres with their movie posters – when the hype dies out, the movie will not hold up in the face reviews on social media. (And another question is raised here – is profit generated even enough to cover the advertising dollars spend sometimes?)

That said, I think, while social media does make the picture look a lot brighter for now, it will not level the playing field just yet. The Indie films will still have to struggle, having no budget for advertising and completely dependent on their loyal fans and good reviews, while Hollywood blockbusters, with their big budgets, employ special effects and new technologies to mask their weakness. Bad plot and bad acting? No one cares, we’re all looking at the special effects.

October 14, 2010
Large Emerging Markets and the long tail.

It is undeniable that business organizations today operate in a dynamic and volatile business environment. Firstly, the rise of emerging markets spear headed by the BRIC economies which, while providing learning opportunities and new resources, comes along with the threats of new competitors and a rapidly changing business environment that puts a business’ flexibility and adaption to test. Secondly, the dot-com boom has turned the tables for producers and businesses. Traditional business models are being threatened by new business models, such as the Long Tail. Every consumer can now be a producer. There is no longer gate keeping to content production and circulation. For traditional media producers especially, the internet represents an on-going threat to their business model.

For a long time, big media firms, such as the TNMCs, have enjoyed a monopoly over consumers’ taste. Due to limited physical shelf space and airtime, consumers’ choices are limited to the ones chosen by TNMCS to produce and market. The Twilight Saga: Eclipse is ranked 37th in top 100 box office hits, despite the extensive criticism it has received in the reviews. Why? Because consumers do not have a choice. You check the movie listing in your local theater and you only have a few movies to choose from. You look at the movie timings and there’s a Twilight movie being screened every other hour. You listen to the radio and your local DJs are talking about the movie and the twilight cast. You walk past a mall and the trailer is showing. You’re at the bus stop, and a bus with the movie poster blown up drives past you. The movie becomes ingrained into you – you’ll end up watching it, even if you have completely no interest in vampires. This is TNMCs and their push demand strategy and manipulation of consumer tastes.

But enter the internet. Along with Amazon.com, a thousand websites are digging deeper into the long tail. And consumers are buying it. We know how the long tail works for the internet (there is infinite space, demand is not limited to geographical standards) but why does it work best for the internet? I am reminded of the Blue Ocean Strategy (by W. Chan Kim and Renée Mauborgne) concept, whereby businesses should look to create uncontested market space, make the competition irrelevant, and create and capture new demand. Firstly, TNMCs are very powerful. They are able to exercise synergies over various industries and media channels, but the internet is a space that has not been dominated by them. Secondly, companies like Amazon and Rhapsody are not looking to compete with TNMCs by selling more of what they sell, they are looking to sell what TNMCs do not sell. This creates an entirely new market space and makes the competition irrelevant. Lastly, they are not looking to meet current demands, they use the Long Tail to increase supply – and somewhere – the supply curve intersects with cosumer’s unmet demands, or demands that they have but are unknown to them.

What does this mean to TNMCs? To me, the effect of the Long Tail is disruptive innovation (by Clayton Christensen) to traditional business models.  Media products are available to consumers on a much wider scale at a much lower cost. But the bigger problem for TNMCs, is that they will no longer enjoy a monopoly over consumer’s taste. An independent musician may produce a music that was not picked up by a major recording label, release on the internet, and end up as a music phenomenon because internet consumers listened to his music, liked it, and recommended it. One of the benefits for products on the long tail is that, despite how long the long tail is, every product has a fair chance. If your music is appealing enough, consumer recommendations can go viral and you can move up the tail, from a top 40,000 hit to a top 1000 hit.

TNMCs have to come to terms that their consumers are now exposed to a much larger variety of media products, and their taste may develop from mainstream to indie/obscure overtime. What TNMCs can do to benefit from the long tail is to collaborate with businesses which operate on the long tail model, and stay vigilant to consumer’s preferences, and adopt their media products to it. When a top 40,000 hit becomes a top 1000 hit, that’s where the TNMC comes in. While TNMCs will probably not be able to enjoy the profits of “misses”, they can continue to strive by being vigilant to media products that move up the long tail.

Lastly, social media has an interesting relationship with the long tail. Social media represents user generated content and the removal of barriers to entry. As I mentioned in class, Youtube is an example of user generated content, whereby anyone can be a content producer, and while the tail never ends, content that appeals to enough people gets a breakthrough. Examples would be Justin Bieber and David Choi, which are renowned musicians which started off by posting their music on youtube. Lastly, social media represents power to the consumers – power in terms of being free to choose what you want to see, what content you want to create, and honest reviews. Social media should strive to be independent in order for the long tail to continue. Out of the 6 big TNMCS, 4 have already tried to buy over Facebook. What if one day, our social media platforms are owned by TNMCs? Would that put an end to this power shift that we’re finally enjoying?

 

October 14, 2010
The TNMC global strategy – going global is necessary, but how?

Going global is necessary because firstly, TNMC wants to reap economies of scale and scope, and having their media product extend to the largest possible consumer group would achieve his agenda. Secondly, as mentioned in the Gershon reading, it is a kind of Darwinism – they either grow big by going global, or eventually be taken over by another TNMC. There are many other reasons we covered, such as to get hold of resources, to increase their production and distribution efficiencies and even empire building.

The need to go global has been clearly established, but how can they do so? I will say there is no one size fits all strategy. As we have clearly discussed in the case of Blizzard in China, governmental regulations and gaming culture was the factor affecting their success. A proposed solution was to wait for the local companies to lobby with the government, or develop guanxi with the government, seeing as public relations with governmental authorities can make or break a business when it comes to China. But had this happened in another country, say Singapore, the same solution of guanxi would not have worked.

The best advice for TNMCs would be to think globally, act locally when they are coming up with a strategy. Before entering a market, TNMCs should have done enough environmental scanning, not only to access risk, but to help come up with their strategy. Each market is unique and thus should have a different strategy. Factors TNMC should consider should be consumer taste, consumer behavior, societal culture, governmental regulations and supply/distribution chains.

An example - Korean band Wonder Girls have tried to reach out to a global audience by having incorporate members with other nationalities (eg. Thailand) to reach out to other markets. That is an example of acting locally while going global. To add on to that, Wonder girls, a Korean band which has now gained global recognition, chose to incorporate English lyrics in their music. In this way, they considered consumers’ taste and managed to reach out to the Western markets. Also, they chose to enter the genre of pop, instead of rock or indie, which was the most mainstream musical genre in society today. That explains understanding of societal culture.

Google’s withdrawal from China would be apt to illustrate my point. Google did not understand that China, which is a post-communist society and is still extremely authoritarian, took censorship very seriously and its disregard of the China authorities and government would not hold up.

The TNMC global strategy has to be reviewed from time to time, and can change, seeing as how market situations and technological environments are ever changing. I am sure that before Grokster, Napster and sharing of MP3s began, Sony’s global strategy was to establish presence in as many lucrative markets such as Asia as possible. However, with the rise of MP3 file sharing, Sony had to think of a strategy to profit from MP3 sales, like coming up with it’s very own online store, as well as selling electronics such as MP3 players to gain synergy, which is often easy for TNMCs given the wide range of industries they have a stake in.

August 10, 2010
frhn:

For those who are clueless about Social Media.

frhn:

For those who are clueless about Social Media.

July 27, 2010
"

Thanks to social media, the biggest challenge for brands is often less about creating the kind of technically sophisticated “immersive experiences” that digital shops have specialized in and more about crafting engaging content that people are likely to share with each other. In the words of Internet guru Clay Shirky, “Communications tools don’t get socially interesting until they get technologically boring.”

“Digital used to be this thing that was a little more computer and Internet based. You had to know coding, Flash and HTML,” said Edward Boches, chief creative officer at Mullen. “Now, what you have to understand is how consumers behave in relationship to content, community, technology and media.”

"

Closing the Tech Divide”, Adweek (via dtdigital)

good news

July 6, 2010
"As a result, the big-name internship has become coveted capital — a reality that was showcased in the extreme when the Robert F. Kennedy Center for Justice and Human Rights recently auctioned media internships to help raise money for its cause. The opportunity to work — unpaid — went for some pretty big amounts: $2,900 at Vanity Fair, $9,000 at the Huffington Post — and an eye-popping $42,500 at Vogue."

Students Chafe Under Internship Guidelines - NYTimes.com (via abstractextract)

July 6, 2010
randomthoughtsfromouterspace:

This Venn diagram helps you choose what social media website will best suit you depending on what behavioral disorders you may have. Good luck!

randomthoughtsfromouterspace:

This Venn diagram helps you choose what social media website will best suit you depending on what behavioral disorders you may have. Good luck!

July 5, 2010
This is something good. And i can relate to it.

June 30, 2010
abstractextract:

10 Super Creative Business Cards

I want my business card to be like this!
and frolick’s a local brand. hmm

abstractextract:

10 Super Creative Business Cards

I want my business card to be like this!

and frolick’s a local brand. hmm